After several years without releasing an album with original songs, Goñi returns with a proposal of special significance. The presentation not only marks Revólver's return to recording, but it is also held in a city deeply linked to the musician's artistic and personal biography. València and the Valencian Community are not just another setting in his career, but a fundamental part of his personal narrative.

La 03010 is considered Carlos Goñi's most ambitious and narrative project. Conceived as a single story divided into songs, the album covers the early years of Marcial Cuartero, a literary alter ego that allows him to explore memory, environment, and decisive choices without resorting to direct confession or complacent nostalgia.

The album addresses themes such as the neighborhood, family, friends, mythical nightclubs, workshops, first jobs, daily violence, music as a refuge, and a decisive escape. At 19 years old, a Bruce Springsteen concert in Badalona marks the point of no return. The album's title, La 03010, refers to the postal code of the Los Ángeles neighborhood in Alicante, where Goñi arrived as a child after leaving Madrid. This move, experienced as an early fracture, runs through the entire album as a silent wound.

Carlos Goñi's relationship with València goes beyond tours. Here he lived and developed a significant part of his career, promoted projects, created the Mojave studios in La Eliana, founded the Nena Records label, and actively contributed to making the Valencian music scene of the eighties and nineties visible. Even his time in Comité Cisne is now part of the city's musical memory.

Carlos Goñi (Madrid, 1961) is one of the fundamental figures of Spanish popular music since the late eighties. After his first steps in Garage and Comité Cisne, he founded Revólver in 1989 and achieved enormous national repercussions with Básico. With La 03010, Goñi does not seek to reinvent himself, but to delve deeper, defining it as the most complex and demanding album of his entire career.