The exhibition, which can be visited on Navarra Street, 22, frames absence not as a mere lack, but as an intangible volume. This space, though empty, retains the imprint of what is no longer there, delving into the internal mechanisms that shape identity and questioning the weight of past experiences and personal narratives.

The exhibition addresses how certain emotional deficiencies, especially during formative stages, can generate limiting beliefs that condition the construction of the self. In this sense, the artistic proposal invites a critical review of these repetitive patterns, seeking for the viewer to reconsider their relationship with the past and explore the possibility of personal transformation.

The proposal materializes in fourteen works and a mask, created using mixed media techniques including ink, acrylic enamels, aerosol, paper, canvas, and wood. The aesthetic of the exhibition is characterized by a black and white palette, with dense atmospheres and an expressionistic approach that prioritizes emotional rawness over ornamentation. The pieces, conceived from an introspective state, are presented as open projections susceptible to multiple interpretations.

Far from seeking complacency, Paneque's work is situated in an uncomfortable territory where the hidden, the fragmented, and the unresolved take center stage. The exhibition is thus constructed as a space for confrontation with what is unseen but conditioning, with the so-called “blind spots” of human experience. Absence is presented as an immersive experience that articulates painting and sound around the same conceptual axis: the exploration of emptiness as a trigger for consciousness.