Rodrigo Cortés to Inaugurate 'Galatea Despierta' Congress at UJI Castelló

The renowned filmmaker, screenwriter, and writer will open the international event focused on the representation of artificial female bodies in contemporary cinema.

Generic image of a microphone on a podium in a university lecture hall.
IA

Generic image of a microphone on a podium in a university lecture hall.

Filmmaker Rodrigo Cortés is set to inaugurate the 'Galatea Despierta' International Congress at Universitat Jaume I in Castelló, an event focusing on the representation of artificial female bodies in contemporary audiovisual media.

This conference, scheduled for May 6, 7, and 8, will bring together national and international specialists to discuss artificial women, metamorphic bodies, science fiction, technology, and gender in current cinema and television.
The event's opening will include a colloquium with Cortés, whose filmography is characterized by formal play, narrative tension, and a very physical conception of cinema. His works often feature confined characters and pressured narratives, exploring what an image can achieve when its scope is restricted. Additionally, the filmmaker will deliver a masterclass at the SecQüència Zero film workshop, where he will share his early forays into audiovisual production with students.
Cortés's visit to Castelló provides an opportunity to review five of his most notable films, ranging from his Spanish debut to international thrillers, gothic horror, chamber musicals, and economic satire.
Key works include Concursante (2007), a sharp satire on contemporary society; Buried (2010), which significantly elevated his career with its extreme tension; and Luces rojas (2012), an international production exploring the fragility of perception. Also highlighted are El amor en su lugar (2021), a delicate piece set in the Warsaw ghetto, and his most recent, Escape (2024), which returns to Spanish-language filmmaking and the paradox of freedom.
Beyond his work as a filmmaker, Rodrigo Cortés is also a renowned writer, with titles such as Los años extraordinarios, Verbolario, Cuentos telúricos, and La piedra blanda. This literary facet is crucial to understanding his cinema, as he directs with the precision of someone crafting a sentence, measuring silences and intensifying meanings.